Photo Info Survey - It's only TWO questions, help me out!
Help me out with some research by taking this two-question survey that should take you less than 30 seconds, please!
Help me out with some research by taking this two-question survey that should take you less than 30 seconds, please!
First things first: until September 3rd, 2018, UK-based film retailer Analogue Wonderland is giving away a free 35mm 24-exposure roll of Kodak ColorPlus 200 with any order that contains any Kodak film!
But even more exciting is that you can submit your summertime images in a competition to win a goodie bag "full of film," including a roll of the eagerly-awaited Ektachrome!
Check out all the details of the the competition and giveaway right here!
My name is John Helmuth. I'm currently living in Philadelphia, but grew up right over the bridge in South Jersey. I graduated from the University of the Arts in 2011 with a BA in Graphic Design. I've been a film photographer since 2000-2001 when I got my first film camera, a Canon AE-1p. I stopped shooting film for a long time to get more digital work, but ended up selling all of my digital gear to invest in some Leica gear about 2 years ago. Most of my freelance work is shooting classic cars and classic car shows / events, but since I live in Philadelphia I always find myself shooting around the city focusing on whatever catches my eye. People, architecture, signage, all different things. I also usually travel with a batch of film whenever I'm on vacation.
I ended up getting back into film photography a few years ago after taking a long break because I found my digital work more or less getting lost in the sea of digital photography online. I was able to get a better a response from my film work while continuing to photograph the same things I shot with digital. On top of getting more recognition for my film work, I love geeking out and getting into the more technical side of film. Absolutely love finding my favorite black and white films, using certain color films for certain times of day, pushing film to gain more light and texture and making the subjects of my images feel like they're from another space and time by just using certain types of film. Not to mention making new friends and being included in the film photography community.
My Domke F-5XB is filled with a Leica M6TTL .85 with matching leicavit, Voigtlander 35mm f1.4, Summarit 50mm f2.4, Tele-Elmarit 90mm f2.8, all BW XS-Pro filters, and a Yashica T2 point-and-shoot.
The first image is a photo of a 1949 Mercury that was shot in the Philadelphia Navy Yard in front of a retired aircraft carrier. This was photographed for the Jalopy Journal. I wanted to photograph this car surrounded by interesting elements of the city the car was original from. I shot this image on Portra 400 around dusk. It was shot with a Leica M5 with an early 60s Summicron 90mm f2 lens.
The second image is a photo of my cousin on a smoke break outside of our beach house. Her positioning in front of the window, the back-lite glow, the framing of the plants around the window, and the timing of having my film camera loaded with black and white TMax 400 were all by chance. This caught my eye immediately. One of my all-time favorite BW shots. Shot with a Sears 35RF.
The third image is a night photo of a motel called the Beach Comber located at the beach town of Wildwood, New Jersey. This town is packed with retro motels stuck in time. Many of their original neon signs still glow in the night. This specific motel was the main headquarters of the car club The Oilers during The Race of Gentlemen, which is a motorcycle and automobile racing event on the Wildwood beach showcasing all pre-WW2 motorcycles and cars. This was shot on a Leica Minilux with Portra 800.
One of the things that I love most about shooting with film is the connection I feel between the artist and the camera. I love that I really have to "earn" my shots. There's a certain look with film that sets it apart from digital work, and though I can't really describe it, I think a lot of photographers know when they see it. A lot more thought goes into the shots for me when I know the cost between each frame advance. Additionally, I like that more of the process is on the front end of the shoot since there isn't as much you can do in post to alter the image. What you see is what you get. There's an immense amount of responsibility and pride behind each shot in such a permanent and manual process. Also the fact that it isn't quite as saturated as the digital photography scene is nice. I still shoot quite a lot of digital work for various jobs, but film has a special place for me. As I travel, being able to document specific instances, moments, people, and places I see in a tangible format is a really rewarding process.
Film has caused me to focus more on portraits, street, and landscape photography. I originally started shooting film with a Nikon F100 due to the ability to use my professional glass that I already owned for that system. However since then, I've branched out even more into rangefinders, and I am currently using a Leica M6 primarily. For the F100, I love my sigma 20mm ART f/1.4, my nikon af-s g 50mm f/1.8, and my nikon f/2.8 macro. With the Leica, my kit includes the Voigtlander 35mm f/1.4 nokton, the Zeiss 50mm f/2 planar, and the Leica 90mm Elmarit - M. I find this setup is ideal for covering a wide range (get it?) of subjects. The Voigtlander has a really classic rendering which is great as I travel, and want a really classic, artistic look. The Zeiss is just so sharp. It's amazing for resolving high detail. The Leica is one of the best portrait lenses ever made in my opinion, and I love it. As far as film, I primarily used to shoot Fujifilm 160 and 400, however now my favored black and white film is the Kodak Tmax 400, and I lean on the Kodak Portra 160 most for color portraits. I love experimenting with different films, so I also find Ektar, HP5, Portra 400, Cinestill 50, Tmax 100, and a few others in my locker.
I primarily do concert work through UnderAir Media, and I freelance on the side doing portraits primarily. Right now, I'm focusing on submitting work to coffee shops, camera stores, and galleries to hang prints in addition to hosting tons of film images on my website.
All Photos © Michael Neal